Come check out the Nikkei National Museum 8th Annual BLOOM Art Auction on Saturday, May 28, 2016. My art titled Exotic Flavour Existence will be part of the silent auction.
You can get a sneak peak by going to the gallery exhibit and/or the online preview featuring the art of more than 60 artists. The theme of this year’s event is ink, and it’s inspired by the sumie works of artist Takao Tanabe. The night will include calligraphy and sumie stations, as well as a calligraphy performance by Kisyuu. There will be music by DJ Rennie Foster and taiko drumming by Sansho Taiko. Hope you can make it. 🙂
I had a fabulous time at the Creative Ink Festival and am sending a big thank you to author Sandra Wickham for bringing this event into existence. It was my first time going and it was so energizing! I ventured out of my midnight writing cave and into the daylight hours to learn new ideas, check out fantastic books, and meet other writers and artists.
I recently had my story “Grounded” accepted into the science fiction anthology Tesseracts Twenty: Compostela. And who did I get to meet at Creative Ink…but Brian Hades, the head of EDGE Science Fiction and Fantasy Publishing which puts out this Canadian anthology. Writing is a very solitary event for me where sending out stories via the Internet is the closest I come to connecting with others, so it is wonderful to meet the people who are making a “home sweet home” for my stories. “Grounded” will get to be mere pages away from work written by Robert J. Sawyer. In case you don’t know who he is, check out his biography below from EDGE’s website:
“Robert J. Sawyer is one of the most successful Science Fiction authors in Canada and the world. He has written numerous novels which have been translated into several languages, and has contributed to a number of anthologies and publications. He was part of the group that founded Vision TV, the world’s only multi-faith television service, and hosts the Vision series Supernatural Investigator. He has won the Hugo, Nebula, Aurora, Seiun, Galaxy, Audie, Skylark, Homer, Hal Clement, John W. Campbell Memorial, and Arthur Ellis Awards, as well as a number of other prestigious Science Fiction accolades.”
At the conference, I was not only able meet Robert J. Sawyer, I was able to get a blue pencil session (this is where a professional in the field will tell you the good, bad, and ugly truth about your writing) with him. He had a selection of pens neatly lined up like a brain surgeon ready to dissect my short story. I was so nervous to have such an established writer look at my work that I felt like my own personal rain storm. I had prepared myself for a horror flick amount of red slash marks to criss-cross my pages.
I was completely astonished when he had only positive things to say about my writing. He circled things he really liked in my story. He told me I should be writing books and I felt so overwhelmed. It’s like being a Muggle and being told by a Grand Wizard that I do have magic (Can you tell I’ve been reading Harry Potter with my kids?). It was so amazing to meet him, and I feel so inspired and excited to get back into writing more.
If anyone ever wonders if it is worth it to go to conferences, I would definitely say yes. I am already looking forward to the next Creative Ink Festival.
Curling up with an old-fashioned paper-bound book is like having a healthy home-cooked meal surrounded by old friends, dear family and interesting new guests. You are nourishing your mind with knee-slapping humour, deep conversations and a feast of new ideas. It’s quality time for your mind that opens you up to being a kinder and wiser person. And it’s not just the writer in me saying this.
Canadian researchers have found that people who regularly read fiction demonstrated an ability to better understand and empathize with others. Now you might think that more empathetic people just happen to be more voracious readers, but researchers from York University and the University of Toronto factored this into their study and the link between reading fiction and empathy remained.
So if reading literary fiction is a gourmet meal to feed the brain, what does that make all the time we spend “reading” on our devices? We are gorging ourselves on mental junk food. But it is so hard to resists because the packaging is brilliant. It’s got movement, bright flashy colors, pictures and videos of movie stars caught doing mundane activities. It’s got eye-catching teasers and headlines that make you want to click. But everything is in snippets, a half a page of reading or less, and all sorts of other flashing bits and bobs winking at you on the side – ready to take you down the path of ingesting more mental garbage.
In our fast-paced world, some could argue that this shallow reading is at least still reading. But I would hope for less shallowness in our society and more depth of character in all of us. So let’s dig deep and stretch the depths of our humanity. It’s as simple as picking up a book.
It’s 2016 and March already! Time has been just flying by, and I’m still here. I’ve been busy painting. I’ve branched out into some more abstract larger pieces, but continue to collect fast food wrappers and instant noodle packaging for my geisha series paintings.
If you have some time, please go check out the Oxygen for the Soul exhibit going on right now. It’s at the Kariton Art Gallery and the Reach. My work called Time Travel is at the Reach.
How to Get Yourself Out There as an Artist: Art Openings
So when you are just starting out, how do you get yourself out there as an artist? Art openings, and not just your own, are a great way to get yourself out there as an artist. This is one of the simple, but smart ideas I gleaned from Reach Acting Director and Curator Laura Schneider at her recent workshop titled How to Market Your Portfolio to Galleries & Curators. I had my “Aha!” moment when Schneider talked about the importance of not being an art diva or a lone wolf. She said one of the great ways to get yourself know is to become part of the art community and one way to do that is to actively attend art openings.
Lone Wolf No More
I realized that I have been living my artist life more as a lone wolf. I’ve attended my own art openings, and I do regularly visit art galleries wherever I am – but I have not attended anyone else’s art opening. This is not because I want to be an art diva, but rather some part of me did not want to feel like that uninvited guest that crashes a party – to be the only one who knows no one. I’ve moved around a lot and your priorities shift when you have kids, so art has become something I try to squash into an already jam-packed schedule.
Art to Express Yourself…and You Need to Network
I create art as part of process of expressing myself, that’s why I do it. It’s cathartic and over the years I have now created a plethora of paintings, sketches, sculptures, etc. But if I want to get to the next stage as an artist, I can’t just horde all my work in my basement acting like Gollum in Lord of the Rings muttering “my precious.” I need to get out there. So I took Schneider’s advice, and went online to figure out when the next art opening was happening and marked it on my calendar.
Local Art Community
Schneider reassured me that it can seem intimidating to go to an art opening, but that it’s worth the effort. She said if you go regularly you will get to know the other artists in your community and then you will eventually become part of it. From going to her original talk, I had chatted with a few other artists. And lo and behold, I went to the art gallery opening and saw one of them there. I knew one person! Then I bumped into someone from the Art and Wine walk, chatted with vendors and talked with the curators of both of the local art galleries. From admiring a great array of artwork, enjoying snacks and a having an overall fun evening out – my first time out for an art opening was definitely a success. I’m looking forward to the next one.
When you apply to galleries, you need to have an artist statement (also known as an artist’s statement). So what is that exactly? The artist’s statement to me, is a more formal and detailed version of an elevator pitch. It should capture the same essence of what your art is all about – a written snapshot.
An artist statement, according to The Reach Acting Director and Curator, Laura Schneider, “is a written document that serves as a basic introduction of you as an artist, explaining why and how you make your art, among other contextual texts. An artist’s statement may pertain to a particular work or to your entire body of work.”
What to Write in an Artist Statement
At Schneider’s workshop titled How to Market Your Portfolio to Galleries/Curators, she provided the following list of “should haves” for your artist statement:
Your purpose or motive
Material and medium in which you work
The subject of your work (specific to this body of work? Something you revisit?)
The theories and methodologies that influenced your work
Your own personal perspective and background
She added that your artist statement should be no longer than 300 words.
What Not to Write in an Artist Statement
Schneider said it’s best to leave yourself open when you describe what kind of artist you are. She said by writing such things as “I’m an oil painter” or “I’m a water color painter,” you are limiting yourself to one medium of expression. Her belief is that an artist should be willing to explore any and all mediums. What do you do and why do you do it? How can that be transferred into different art forms? Leave those opportunities open to explore for future work.
Clichés to Avoid in an Artist Statement
The following are overused lines that Schneider felt should be avoided in your artist’s statement. Check through your artist statement and if you have any of the clichés below, then it’s time to cut them loose.
My work is intuitive.
My work is a personal journey.
My work is about my experience.
I pour my soul into each piece.
I’ve been drawing since I was three.
l like my audience to interpret my work.
Know Who Your Audience Is
When you write your artist statement, you need to be aware of your audience. There will be consistent information in your artist statement no matter where you apply. At the same time, Schneider said that when you apply to a gallery you should tailor your writing accordingly. Make sure to do your research about each place you are applying to. What kind of art and artists are typically featured at the gallery and how would your work fit their mandate.
Get Feedback on Your Artist Statement
It’s probably a good idea after you have come up with you artist’s statement to get feedback from folks within your circle of friends (and even acquaintances or strangers) to see if they see your words reflected in your art. As well, you may love to froth at the pen with academic terms, but you want the piece to be something that anyone coming into the gallery can engage with.
How to Market Your Portfolio to Galleries and Curators
I recently went to a talk by Laura Schneider, acting director and curator of the Reach, called How to Market Your Portfolio to Galleries/Curators. She was fabulously energetic, informative and inspiring; and I’m planning to write more on her talk in future posts. One of the best tips I picked up was the importance of the Elevator Pitch.
Elevator Pitch for Artists
I had a total “Aha!” moment when Schneider said that an artist needs to have an elevator pitch. I knew you had to work on having an elevator pitch in the writing world — the idea is you pretend that if you were caught in the elevator with a book publisher, what one-minute spiel would you give to sell your book/screenplay/etc? When Schneider brought the elevator pitch concept up for art, I had to really think. What would I say if a gallery owner or curator and I were stuck in an elevator together for a minute?
Schneider’s advice was to “be confident in describing what you do, why you do it and where you’re going.” I had never really boiled down these three ideas before, and yet I should be ready at all times to give a Cole’s Notes version of this information. Right away I started thinking about how I would pitch myself. Here are my thoughts on how I would answer the questions she brought up.
What Do You Do?
What do you do? Currently, I paint geisha girls in acrylic and then I rip up pages from Japanese books, glue on instant noodle packaging, drip wax and burn canvases.
This by itself definitely seems to be missing something. Why on earth is this woman being so destructive in her work?
Why Do You Do It?
On to the important second question: Why do you do it?
In an overall sense, I like to look at the world through the lens of race, class and gender. In particular, I like to create art focused on those who are not at the top of the hierarchy and express what that looks and feels like.
If I want to be more specific to my recent work titled Geisha Girl Stereotype Survivor, this is what I’d say:
As a woman of ‘mixed’ heritage, I created this art to come to grips with stereotypes about Asian women. Faster than you can make instant Asian noodles, stereotypes about my race and gender combo come easily to mind. My work also reflects on the history of the internment of Japanese-Canadians and how that impact is still felt today. My grandparents died before the Canadian government apologized. Their loss, on so many levels, is haunting.
Where Are You Going?
The final question: where are you going?
Because I’m a mix of races, people often are not sure of “what” I am. I plan to do other portraits and explore the stereotypes of other racial groups I am, I’ve been mistaken for or called. I’ve already got some in the works.
What’s Your Elevator Pitch?
These are my thoughts on my elevator pitch for now, and I’ll likely change them up as time goes on. But at least now I have a basis to jump from should I ever get the chance to be in an elevator with a gallery owner or curator. I love the elevator pitch concept, and hope this will spur you on to write your own if you have not already. If you have a great elevator pitch for your art, please feel free to share it by leaving a comment on my blog.
I’m now getting off this elevator ride to go get some painting done. 🙂
With an upcoming show and some other painting in the works, I’ve been walking around with bits of acrylic paint in my hair. To keep my brain jogging along the writing path, but finding less time to do so, I decided to try my hand at poetry. I was big on poetry as a teenager (and, yes, there are some scary-funny angst-filled masterpieces that I hope will never see the light of day ever again). On the bright side, I loved writing poetry for English class. One of my teachers asked if I was the really the person who wrote the poems I handed in – and ever the optimist, I instantly took being accused of cheating as a great compliment.
Some Poetry Sprouted into Short Stories
Back to the present day, I have found poetry refreshing and also more difficult than I remembered. Some things I began writing about as poetry, and then I found I was writing in paragraphs. I got on such a roll and wanted to build the world or expand on details that I ended up thinking, “Hey, that would make a good short story!” And so what started off as poetry ended up being more like a seed that I’ve put on hold to grow into something bigger at a later date. Back to the mouse pad, I scribbled away again and brainstormed other ideas that would still tell a story but worked well in brevity…and I maneuvered myself into a poetic frame of mind.
The roots to Unicorn Girl go way back. I knew girls at school who had horses and were horse crazy. I, having no horse, imagined unicorns and was, yes, fairly crazy for them. I still have unicorn earrings somewhere. Usually, there is some negative stereotyping of unicorn girls (think of Luna Lovegood from Harry Potter), so I wanted to write something that had a bit of a bite to it. I wanted a unicorn girl who was not some damsel in distress or ditsy rainbow lover, but rather someone who was secure in her power – someone who could take care of herself. The poem Unicorn Girl is the result. Hope you enjoy it. : )
My art will be in the 2015 Fraser Valley Biennale. It’s a series of exhibitions that are coordinated through arts councils in the Fraser Valley region. The show is happening from now until September and you can enjoy a variety of innovative art in galleries ranging from Mission to Abbotsford.
Lovers & Fighters
My painting Exotic Flavour Existence will be at the Kariton Art Gallery from July 25th to August 18th. The theme of this exhibit is titled Lovers and Fighters. The excerpt for the genesis of this particular show reads as follows:
“As subjective expressions, works of art are often personal in nature. But they can also embody collective, or even universal, themes related to who we are and how we respond to our circumstances. This exhibition explores multiple aspects of artistic, personal and social identities through a range of lenses. The Fraser Valley artists presented in this exhibition suggest that there is an intimate distance between being a lover and a fighter.”
Exotic Flavour Existence
The art I have in this exhibition is part of a collection I’ve titled Geisha Girl Stereotype Survivor. The piece of cultural garbage I have included in this painting is an instant noodle lid that says, “Noodle Time” and “Instant Ramen Noodles.” I’m interested in the intersecting reality of fast-food garbage and how it coordinates so well with instant stereotypes. Eating fast food is unhealthy for us, yet it is part of the fabric of our society – just as stereotypes based on race, gender and class are. I say I am Japanese and images of geisha girls, sushi, and instant noodles swirl to the surface of our minds. Yet, I am yonsei. I am the fourth generation to live in Canada. My great-grandparents came here.
Processed food and processed stereotypical images are constantly consumed in our culture. Consumed and thrown away – only to be consumed and thrown away the next day. What does that mean to the individual soul swimming through all this? So how do I find my place in this sea of mental and media garbage? Why I bite back with a smile. I paint, rip, splatter, glue and burn in layers of self expression.
I’ve been on a painting jag lately which has been great for my visual arts side of things. I was just in the Wine and Art Walk and I will soon be in the Anonymous Art Show at the Kariton Art Gallery. Then after that I am taking part in the Fraser Valley Biennale. It is shaping up to be a busy summer.
Anonymous Art Show
I can’t say what I put into the Anonymous Art Show because, well, the whole idea is that the work be anonymous. It’s a great way to raise money. Many art galleries have used this as an excellent fundraiser. With the sale of each painting, half of the money goes to art initiatives put on by the local art council, and the other half goes to the artist. When someone buys a piece of work, they get to take it off the wall right then and there. They can flip over to the back and find out who painted it. I tried to paint in a style quite different than I usually do – just because I like to be tricky like that. 🙂
Geisha Girl Stereotype Survivor
Most of my painting time this year has been focused on a collection I titled Geisha Girl Stereotype Survivor. They are the works displayed in the Wine and Art Walk and to be displayed at the Fraser Valley Biennale. To learn more about my thinking around these paintings, check out my initial Artist Statement and Biography I used for my most recent show, the Wine and Art Walk.
Miki Dare (Dare is a Japanese word, it’s pronounced DAH-RAY) uses acrylic paint and mixed media on canvas to depict the messy dichotomy of life. She is inspired by the flower growing out of a crack in the sidewalk and the muddy footprint on the freshly cleaned floor. It’s about being creative and surviving with love, strength and a sense of humor.
Artist Statement: Geisha Girl Stereotype Survivor
My artwork explores the layers of who we are and what society says we should be. Our mental and media landscapes are littered with psychic fast-food garbage that smothers personal realities and histories. How do I stay true to myself, remember my roots and contend with institutional –isms?
My art is the struggle between the ‘perfect’ stereotypical images and the reality of being a woman and Asian in Canada. It’s the interface between ugly truths and beautiful individuals who persevere. Wear garbage and graffiti with pride and creativity. Cherish the burnt canvas and torn pages of history. Be a geisha girl stereotype survivor.